| Standing
in a place of honor on the rough wooden plank
platform next to the priest, a dark-haired
little girl holding a small metal box, and
dressed in her Sunday-best, fidgeted in the
warm summer sun. Along with a small group of
nuns, neighbors and family members, she waited
impatiently for her part in the ceremony as
the priest seemed to drone on endlessly in
Latin verses over a block of imported grayish
marble.
Finally,
after sprinkling the carved block one last
time with Holy Water, he turned to Carmen,
youngest daughter of Adolfo Camarillo. The
youngster handed him the box containing the
family history and other memorabilia. The
priest placed it within the foundation.
Workmen then moved the heavy cornerstone into
its final place. It was July 1, 1913. St. Mary
Magdalen had been officially established.
The
spectators slowly disbanded. Climbing into
black convertible touring cars, they drove
down the dusty hill and rough road to
celebrate this event at the nearby Camarillo
Victorian mansion with its multi-cupolaed red
rooftops thrusting above the surrounding lush
green grove of trees. It marked the
fulfillment of a dream for Juan E. Camarillo
and his brother, Adolfo.
For
several years the brothers had planned to
build a more permanent structure to replace
the overcrowded one-room wooden family chapel
atop the hill along El Camino Real. Across
Ventura Boulevard from the chapel stood a drug
store with a high wooden billboard-like front
that now stands vacant -- the former Southern
Pacific railroad depot that had given
Camarillo its name. A few blocks westward near
the middle of what is now Arneil Road, was the
Pleasant Valley Baptist Church that was built
in 1890. A new hilltop church of ample
proportions would set the tone of the growing
city for decades to come and serve as a
fitting tribute to God, the city, and the
first family.
One
day while Juan was traveling near his father's
birthplace of Mexico City, a mission-style
church caught his eye. He commissioned
architect Albert C. Martin to design the
Camarillo church along the same lines. Juan
built the church in honor of his father, Don
Juan Camarillo, and his mother, Martina
Hernandez. It was named for Juan and Adolfo's
oldest sister, Magdalena.
The
chapel design included an east wing, a family
crypt, and a picturesque foundation.
The
east courtyard foundation, which was modeled
after one at the Santa Barbara mission,
quickly became a popular bird bath and
favorite gathering place for many of the
parishioners after Sunday Mass. To celebrate
Mass, a priest drove over from Oxnard each
Sunday and for feast days and special
ceremonies.
The
crypt beneath the southwest corner of the
building was unfortunately used all to soon by
the Camarillo family and now contains the
remains of many of its members. There
once was a drop door in front of the white
marble main altar to lower the casket down
into the crypt but the mechanism was
unreliable. Consequently, it was sealed over
the caskets were carried around the chapel and
down the stairs.
On
July 4, 1914, the magnificent chapel was
dedicated by the Bishop at an impressive
ceremony attended by most of the townspeople
coming in flag-draped cars. From it's hill top
position, the chapel's belfry tower, looking
like a multi-tiered wedding cake, was the
dominate landmark in Pleasant Valley. It was
from this tower, that the bell tolled thrice
daily calling the faithful to the Angelus.
Juan
spared no expense in furnishing the new family
chapel. The doors, floors, and pews were of
warm, handsome oak which highlighted the white
marble wainscotting along the walls, and
softened the cold, hard atmosphere of the
stone. Flanking the main altar were
white marble bust-size statues of the Sacred
Heart, Blessed Mother, and St. Mary Magdalen
holding a vial of precious ointment -- all
mounted on black marble pedestals. A full size
statue of the Little Flower stood nearby.
The
most notable chapel fixtures were its
magnificent 13 stained glass windows.
These azure, crimson, green, and gold windows
tell a double story -- one of the life of
Christ, the other of a world at war.
While
on a trip to Europe, Juan Camarillo selected
the windows in Munich, Germany. The year was
1913 and the early rumbles of the continent
gathering its strength for conflict were
growing with each passing day. Somewhere
between the studios of glass-blower F. X.
Zettler of Munich and the church on a hilltop
in faraway Camarillo, the stained glass
windows were lost. Zettler's name can be seen
at the bottom of the windows depicting the
Holy Family (east side) and Christ with the
children (west side). Despite the best efforts
of the Camarillo family through consuls and
ambassadors, the windows appeared lost
forever. Mrs. Carmen Camarillo Jones recalled
that her uncle Juan feared they were at the
bottom of the sea. One day a letter arrived
from a German official. This official in
Munich had been noticing several large crates
staked outside a building with Juan's name on
them. He had written Juan several letters and
finally one got through at the end of Word War
1. Much to the joy and relief of everyone, the
lost windows had been found. However, it was a
painfully slow and long trek to Los Angeles,
and then on to Camarillo, before they were
finally installed in the thick brick and
plastered chapel walls in 1919.
The
late Mrs. Rosa Camarillo Petit remembered the
heavy white paper windows that were used in
the chapel until the real ones could be found,
as she was married during that time --
November 11, 1914 -- the first wedding to be
performed in the new chapel. The Petit family
also held the first baptism when their first
child, Ynez, was born. Tragically, they
likewise claimed the first funeral in the
chapel when their 19 month old baby daughter
died in 1917.
The
Adolfo and Isabel Camarillo family consisted
of six girls and one boy while Juan Camarillo
remained a bachelor. The Camarillo children
were Frank, Isabel, Minerva, Rosa, Carmen, Ave
Marie, and Martina.
During
the past 76 years, the rugged hilltop chapel
has withstood the ravages of earthquakes,
fire, and time. Mrs. Gloria Petit Longo
recalls the effects of a smoke damaged
interior resulting from a fire. It occurred a
few days before her wedding and the ceremony
was held under paint scaffolding.
In
1940, four years after the death of Juan
Camarillo, the family chapel of St. Mary
Magdalen was given to the Los Angeles
Archdiocese to use as a parish church. Just
the previous year, one hundred acres of Rancho
Calleguas that had been bequeathed to Adolfo
and Juan by their father, was deeded to the
same Archdiocese for the purpose of building a
Seminary. The first buildings for the St.
John's Major Seminary were completed in 1939.
The
present rectory at St. Mary Magdalen was built
in 1948. Adjacent to the rectory, Adolfo
turned the first shovel of dirt on St.
Joseph's Day, March 19, 1954, to break ground
for the St. Mary Magdalen grade school. The
first class was admitted on September 14, 1954
with the dedication during the Marion Year
occurring on November 6, 1954. Soon afterwards
the building which had originally been the
caretaker's house, and then the first rectory,
was again to undergo changes. This time it was
to be renovated and expanded to accommodate
the Sisters who were teaching and running the
new school.
Several
years after Adolfo Camarillo's death at the
age of 94 in December 1958, Mrs. Carmen
Camarillo Jones donated the family mansion and
several acres of land to the Augustinian Order
of priests for use as a residence and house of
prayer and studies for Catholic priests, nuns,
and seminarians.
As
the years passed and the city grew, St. Mary
Magdalen's capacity of 350 people became
insufficient to handle the needs of the parish
despite the addition of extra masses. While a
building drive was organized by the pastor,
Monsignor Dennis J. Falvey, to construct a
larger church, stop gap measures were taken by
permitting parishioners the choice of
attending two masses each Sunday at the
beautiful St. John's Seminary chapel.
A
six acre site was acquired at the corner of
Las Posas Road and Crestview Avenue for a new
parish church; and the architectural firm of
Carmichael and Kemp, Alhambra, California was
commissioned to design the new building.
Cardinal Timothy Manning, Archbishop of Los
Angeles delivered the main address from an
improvised truck trailer platform, then turned
the first spade of dirt for the
ground-breaking on December 29, 1974.
Unfortunately, Msgr. Falvey had passed away a
short time earlier and was unable to see his
labors reach fruition.
The
new St. Mary Magdalen church, which seats
nearly 850 people, was opened for the
celebration of the Mass on Christmas Day 1975
with Midnight Mass offered by the new pastor,
Monsignor John C. Hughes. The formal
dedication occurred on June 27, 1976.
The
new church reflects California's mission
heritage with a white stucco exterior, red
tile roofing, outdoor patio surrounded by lush
gardens and a series of arches, colorful
stained glass windows, and an interior of warm
brown, beige and gold earth tones. The inside
is composed mainly of a handsome lattice work
of exposed wooden beams, paneling, a dark
walnut alter, and pews with towering hand
carved sanctuary. The Stations of the Cross
were crafted by artisans in Italy. The
composition, mainly wood and stucco, will
alleviate dangers from nearby earthquake
faults. It is a church that is large enough to
accommodate the needs of a growing, vibrant
parish and one which will serve as a
continuing tribute to the proud traditions
initiated by the Camarillo family.
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